I haven’t played drums in almost 35 years. I can still keep a steady beat, but synthesizers and drum machines have been my favorite ever since playing in a synthpop band many years ago
I truly think that Brat + the remix album are her most cohesive works in terms of direction and vision, it’s so refined of a culmination of her past tracks. That’s for a full album listen though! I love number one angel and how I’m feeling now despite not feeling as cohesive to me, but an album doesn’t need to be so
just uploaded update (changelog on about page), added two things you requested – editing comments and preview of the song link before you post a comment 🙂
Good evening, Wanderer
Thanks again as always!! Most of the toms, congas, hi-hats, and rimshots can be quite tricky to isolate, but I usually do them by ear. Kicks, snares, and claps are a bit easier to identify—especially when using dedicated software to extract them from the original track. Once I have a full-length track (around 4 minutes and 23 seconds), I begin by slicing each element and carefully looping each beat.
From there, I dive into deep beat isolation and align everything precisely on the grid. I study any repeating loops closely until I can clearly hear the transits in the beat structure. It’s a time-consuming and sometimes overwhelming process, but the results are worth it—you end up with various beat elements that can be arranged in any sequence you want.
I hope you enjoy the work I’ve put into this almost about 1.5 years with learning on my own. Most of what you hear you may programmed them on your soft or hardware gear Enjoy everyone.
i love the 90s optimism of that music video, it pangs in a certain way knowing it released months before anyone knew what lockdown would become.
Very cool I like the Jimmy Summerville which is played on a TR 909
@[1,2,3,3,3,4,4,4,5,6,6,6,6,7,6,6,6,8,9,6,6,6,10,6,6,6,10]
The Band was called “AKA RUDE”
Its been so so long on cassette audio I would need to find them never took anything to the studio did play live in Long Island NYC early 80s
imported from midi, something feels off…
got any tracks of your band?
@[1,2,2,3,4,5,6,6,7,8,9,10,11,12,13,14,14,14,15,14,16,1,2,2,4,5,6,6,7,4,5,6,6,7,8,9,14,11]
I haven’t played drums in almost 35 years. I can still keep a steady beat, but synthesizers and drum machines have been my favorite ever since playing in a synthpop band many years ago
Nope, those were entered manually—carefully crafted to capture that nice industrial feel
you finger drum too? i thought about adding “finger” mode + record mode
YouTube video I published and many more too come – https://youtu.be/WVti19bt0ls?si=8Wp_tCf4zHmsIfJP
video is just pure vibez https://www.youtube.com/watch?v=LoGOBSQ9ZLg
@[2,1,1,1,2,1,1,1,2,3,4,1,1,1]
@[1,2,1,3,1,2,4,5,1,2,6,7,1,8,9,10,11,10,11,12,13,14,10,15,10,10,10]
@[1,1,1,1,2,2,2,2,3,3,3,3,4,5,4,5,4,5,4,5,6,7,6,7,6,7,6,7,8,9,8,9,8,9,8,9,10,11,10,11,10,11,10,11,12,13,12,13]
Nice Job Wanderer!!
Love this transition very cool!!
@[1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,2,3,3,3,3,3,3,3,3,3,3,3,3,3,3,3,3,4,4,4,4,3,3,3,3,3,3,3,3,3,3,3,3,4,4,4,4,3,3,3,3,3,3,3,3,3,3,3,3,3,3,3,3]
@[1,2,3,4,3,4,3,4,3,4,3,4,3,4,3,4,3,4,3,4,3,4,5,6,5,6,5,6,5,6,5,6,5,6,7,8,7,8,5,6,5,6,7,8,7,8,1,2,7,8,1,2,3,4,3,4,3,4,3,4,3,4,5,6,5,6,5,6,5,6,5,6,5,6,7,8,7,8,7,8,7,8,7,8,7,8,1,2,7,8,1,2,9,10,9,10,9,10,9,11]
I truly think that Brat + the remix album are her most cohesive works in terms of direction and vision, it’s so refined of a culmination of her past tracks. That’s for a full album listen though! I love number one angel and how I’m feeling now despite not feeling as cohesive to me, but an album doesn’t need to be so
recommend me the best charliexcx album in your opinion, im in the mood to explore 😉
@[1,2,1,2,1,2,1,2]
@[1,2,3,4,1,2,3,4,5,6,7,8,5,6,7,8,5,6,7,8]
brat is a great album yea but so much of charli’s older stuff is so good and i love ag cooks production when they work together.
@[1,2,3,2,3,2,3,2,3]
sounds very much like the one i did a few days ok cheers!!
Not bad Nice!!
i removed your previous pattern coz it looked like a simple test, but this one is pretty cool 🙂
✌️
@[1,2,1,2,1,2,1,2,3,3,3,3,4,4,1,2,1,2,1,2,1,2,4,4,5,5,5,5,6,7,6,7,,8,9,8,9,8,9,8,9,10,11,10,11,10,11,10,11,5,5,5,5]
@[1,2,3,4,3,4,3,4,3,4,5,5,5,6,7,6,7,8,9,8,9,8,9,10,10,10,10,11,12,11,12,11,12,13,14,13,14,13,14,15,16,15,16,13,14,13,14]
Outstanding matey!!😎👍🔥thank u!!
it should work now
Hey, no worries dude take your time for everyone out there. Please enjoy Mother’s Day with your mom.😎👍
oh wait, just checked on non admin account and it doesnt work, working on it!
i moved the edit link next to delete link, you should see Copy pattern, Export text, Export MIDI, Edit, Delete
Hello Wanderer seems like the edit feature is disabled on my account? thank you no rush.
Nice has that feel ❤️😎👍
@[1,2,1,2,3,4,3,4,5,6,5,6,7,8,7,8,5,6,5,6,9,10,9,10,11,12,11,12,13,14,13,14,13,14,13,14]
new drum kit in action!
Hey there, thank you I will test that out. thank you again. 😊😎
just uploaded update (changelog on about page), added two things you requested – editing comments and preview of the song link before you post a comment 🙂
As always, thanks and I also wish everyone on this platform to enjoy making their own rhythms and doing their very best. That is very important.👍😎❤️
i’m more than impressed, i really appreciate your work!
next update is almost ready, it features comment editing/deleting, song preview while writing comment etc.
@[1,2,3,4,3,4,3,4,1,2,3,4,1,2,3,4,1,2,3,4,3,4,3,4,3,4,3,4]
@[1,1,1,2,3,4,3,4,3,4,3,4,5,6,5,6,7,8,7,8,7,8,9,10,9,10,11,11,11,2,12,13,12,13,14,14,14,15,16,15,16,15,16,15,16]
Good evening, Wanderer
Thanks again as always!! Most of the toms, congas, hi-hats, and rimshots can be quite tricky to isolate, but I usually do them by ear. Kicks, snares, and claps are a bit easier to identify—especially when using dedicated software to extract them from the original track. Once I have a full-length track (around 4 minutes and 23 seconds), I begin by slicing each element and carefully looping each beat.
From there, I dive into deep beat isolation and align everything precisely on the grid. I study any repeating loops closely until I can clearly hear the transits in the beat structure. It’s a time-consuming and sometimes overwhelming process, but the results are worth it—you end up with various beat elements that can be arranged in any sequence you want.
I hope you enjoy the work I’ve put into this almost about 1.5 years with learning on my own. Most of what you hear you may programmed them on your soft or hardware gear Enjoy everyone.
are you doing these patterns by ear? they are hella impressive!
@[1,2,1,2,1,2,1,2,3,4,3,4,3,4,3,4,5,5,5,5,5,6,7,6,7,6,7,6,7,8,8,8,8,,9,10,9,10,9,10,9,10,11,12,11,12,11,12,11,12]